Yossi Berg and Oded Graf’s Rite of Spring invites us to witness, feel, and return to its intensity again and again — a meditation on masculinity, violence, and what it means to come home.

Ohad Naharin’s Last Work moves at a frequency all its own, inviting audiences to feel, mirror, and embody the extraordinary depth of human connection through the Batsheva dancers’ otherworldly movements.

At the Kid’s Summer Festival, Sharon, Noa, and Dikla conjure a golden world of wonder where children’s imagination leads and magic rolls freely across the stage.

A Dance Piece makes work itself an act of devotion—love woven visibly through movement, memory, motherhood, and the courage to create with an open heart.

In A-Peeling, Sally Anne Friedland and Guchi Kohan turn the mundane into the profound, exploring our endless struggle for connection, presence, and resilience—falling, rising, and peeling again.

In Home Work, Maya Brinner and her sons turn everyday movement into a playful, heartfelt meditation on connection, presence, and the enduring magic of dance.

A deeply personal reflection, this piece unfolds as a letter to a choreographer, exploring how dance lives on in the body through memory, birth, faith, and trust.

Stefan Poda’s Dido and Aeneas unfolds as a stark, elemental meditation on love and loss, where choreography and design give form to Dido’s fractured inner life.